Go Forth (again)

by Mary Barton Nees

I was awakened one evening long ago. My young friend wanted to talk about Abraham, her Patriarch. I listened out of respect, surprised by her wonder, startled actually by her belief. This was a fairy tale to me. But she held onto it as if it were true. We took many simple steps that night, one foot in front of another, hiking around a lake, high in the Colorado mountains. I was quiet mostly while she spoke. But that night, something ignited in me because of the words she exclaimed about one man, long ago, who simply decided to trust what God had told him. “How could that be?!” I wondered.

“Go forth, Abraham” is a piece I finished in 2012. It is an emotive response from 40 plus years of steps since that conversation, in which I have been reminded so very often of Abraham’s complex example.

I don’t think it is a very pretty piece, and therefore, to me, all the more true.

Go forth, Abraham, 2012

Abram, (renamed Abraham by God), was a real man, a very unique man. He listened. His radar was tuned for wherever there was God-frequency. And when he heard what God said, Abraham took it seriously and he stepped it out. If you read of his life in Genesis chapters 12-25 you can actually follow the learning curve of this man’s developing confidence in the God he was aiming to follow and learning to love. Though a Mesopotamian ancient, culturally distant from us, the human-ness of Abraham’s growing trust comes through. It was a real-time process that took decades. And God did real time revealings and interventions into Abraham’s process. The key throughout is this commendation in the narrative: “Abraham believed God, and it was reckoned to him therefore as righteousness.” Abraham himself was not righteous, as his history only displays. But God made a call, based on Abraham’s distinguishing characteristic: Abraham simply believed what God said. This is big. It was Abraham’s believing that accomplished an imputation of righteousness. This believing Him is a big deal with God; it can be defining for us.

Abraham lived according to the promises given him. These promises came in clear when they came, but they did not come often. And so there had to have been so many steps where Abraham was just putting one foot in front of the other, trusting, trying to remember what he had heard, relying on the character of the promise giver. That is what I was thinking about when I made this piece. This is a linear picture of all the heavy steps being made in desert sand, as Abraham moved out trusting. This piece looks at his whole journey. High in the stratosphere are markings: recordings of the words that rumble in his memory and bring light to his heavy soul. There are shining bits that come on the ground: the epiphanies he would tell us of if we could hear his whole story at the end. But a lot of the steps for Abraham as he lived them out, I expect the ground felt dry and hard and shifting under his feet. Each step was consequential though. And there is this dark hovering cloud overhead. It is not one that brings rain, but one that brings only darkness and static. Discouragement is hovering not far away.

You will be hard-pressed to find a better example of a mortal who risked it all to believe the One he heard speaking. It was not a pretty thing, but it was true. And it ended up being amazing.


Mary Nees calls her work “conceptual landscape” which is simply an outward view rooted in the grand prophetic story. Mary has been a believer since college, when someone was bold enough to challenge her with the claims of Jesus. She earned a degree in Design and Environmental Analysis from Cornell University, followed by studies in printmaking and Art theory from the Pennsylvania Academy of Fine Arts. Finally earning her MFA at East Tennessee State University, Mary then taught Art History and Color Fundamentals for a number of years before retiring. She paints, blogs and dreams out of her studio space at home.

*Visit marynees.com/blog to read Mary’s bi-weekly blog..


One Response to Go Forth (again)

  1. I was first intrigued and drawn into Mary Nees work back in the mid 2000s. It was a time when I searching for what combining art and the Christian faith could look like. Mary your work helped open my eyes to the possibilities, almost giving me permission to be real and honest and to explore and express my own journey. I am grateful for that.