A photography exhibition that invites recurring and fresh contemplation of the ordinary and extraordinary through the seasons of the Christian liturgical calendar.
Available for rental!
4-WEEK MEMBER RENTAL FEE
$800 $600 + SHIPPING*
*CIVA member organizations and institutions receive a $200 discount on exhibition rental fees.
Traveling Schedule
| Dates | Location |
| March 27 – April 10, 2021 | St. John’s Lutheran Church Virtual Show 608.256.2337 Contact: Julia Weaver thejweaver@yahoo.com |
| August 1- September 5, 2021 | Sojourn Arts 1207 Shelby St. Louisville, KY 40203 502.635.7053 Contact: Michael Winters mwinters@sojournchurch.com |
| September 23- October 25, 2021 | St. James’ Episcopal Church 1941 Webberville Rd. Austin, Texas 78721 512.926.6339 Contact: Eileen O-Brien rector@stjamesaustin.org |
| November 1-22, 2021 | St. David’s Episcopal Church 301 E 8th St Austin, TX 78701 512.610.3500 |
November 29, 2021 – January 21, 2022 | Intersect Arts Center 3636 Texas Avenue St. Louis MO 63118 573.575.6485 Contact: Sarah Bernhardt intersectstl@gmail.com |
| March 1, 2022 – May 1, 2022 | Church at the Cross 3000 William D Tate Ave. Grapevine, TX 76051 817.809.8287 Contact: Joseph Tenney joseph@churchatthecross.com |
Gallery
Ask, Seek, Knock, Letitia Huckaby 
Good news of great joy for all the people!, Randal J Vandermay 
Annunciate (Temma in Towels), Timothy Lowly 
Wooded Vibrations, David Blow 
Protection of the Manger, Roger Varland 
Princess, Gary Harwood 
Learning to Fly, Claudia Feuge 
Melquiades and the Magi Depart, Rev Doug Earle 
What is Suffering, Monroe, Louisiana 1993, Margaret Sartor 
The Last Time I was In My Father’s Shop (Left), Ryan Stander
The Last Time I was In My Father’s Shop
(Right), Ryan Stander
Murky Water, Letitia Huckaby 
HARVESTED COTTON FIELD, ALTO, LA., Margaret Sartor 
A Line in the Stone, Joshua Tree National Park, California, Michael Largent 
Shovel in Frost (circa 1991), Keith Barker 
Sista Pray, Dr. Ralph Basui Watkins 
Robert Fuege, The Prayer 
Palm Sunday – Home Depot Parking Lot, Gary Bergel 
Walk, Glenn Howell 
The Last Supper, Harold Sikkema 
Humanity at Full Stretch, Ryan Stander 
Jesus is given his cross, Greg Schreck 
Jesus Falls, tryptych (1), Grag Halvorsen Schreck 
Jesus Falls, tryptych (2), Grag Halvorsen Schreck 
Jesus Falls, tryptych (3), Grag Halvorsen Schreck 
The Long Dark Night, Gerik Parmele 
Sanctuary, Glenn Howell 
Easter Morning (Coming Home), Brian David Johnston 
The Enemy Never Came #11, Bob Denst 
Stone of Help, Keith Barker 
Early in the Morning, Barry Sherbeck 
Yellow Lines, Harold Sikkema 
Semi-Symmetrical: Windmill Assemblage, Montague, Texas, Michael Largent 
ONE, Barry Sherbeck 
She Speaks in Tongues, Tim Lowly 
Church at Longonot, Kenya, Roger Varland 
In One, Tim Lowly 
Communion, Robert Feuge 
Blind Beggar April 1965, Douglas Gilbert 
From Perspective of Gratitude, Gerald Kern 
Peace Be Still, Kathy Hastings, diptych 
Pakistani Heidi, Farah Jangua 
Fellowship, Sara Bernhardt 
The Night Jesus Didn’t Save, Dr. Ralph Basui Watkins 
Mount Tabor, June 2017, Michael Winters 
Bound to Hope I, Ryan Stander 
Bound to Hope II, Ryan Stander 
Bound to Hope III, Ryan Stander 
Crown of Light, Donald Kouba
About the Curators
Ginger Henry Geyer
Lead Curator
Ginger Geyer has served as a juror for numerous competitive exhibitions, and as a curator has originated around 100 shows, primarily for the Cody Center Gallery at Laity Lodge, Kerrville, TX where she developed the art program for 15 years. As an artist she has exhibited internationally, including artist residencies in Rome, Vancouver, Dallas and Tuscany. As a museum consultant, she has recently been involved in envisioning and programming for two upcoming art museums in Dallas. The growing edge in her work is to explore the relevance and beauty of the Gospel in contemporary times.
Asher Imtiaz
Initiating Curator
Born and raised in Pakistan, Asher Imtiaz is a portrait and documentary photographer. Asher moved to the United States in 2012 for graduate studies and now lives and works in Wisconsin. His early work focused on religious and minority groups in Pakistan. For the last few years, his main focus is on photographing immigrant refugees and asylum seekers moving to the United States.